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MASSIMO PRIVITERA

Pittori e musici nell’Italia del Cinque e Seicento

Abstract

Two paintings by G. A. Sirani show a close link between poetry, painting and music, as recognized in early modern Italy. The article explores the nature of the link between painting and music according to three levels: theory (pythagorean proportions and reflections on the craft of painting), composition (a term used both by painters and musicians), everyday life (painters playing and singing, musicians drawing and painting).