L'ultima filosofia. Riflessioni sulla "Philosophie der neuen Musik" (1949) di Theodor Wiesengrund Adorno nel 120° anniversario della nascita

Abstract

The intervention concerns the controversy between Schoenberg, Adorno and Mann following the publications of the "Doktor Faustus" and the "Philosophie der neuen Musik". With regard to Adorno's text, the exergo to the essay on Schoenberg and, in a more general sense, the attempt to bring the "neue Musik" back to the framework of a Hegelian philosophy are analyzed.