Ecomusei e micromusei

Abstract

Faced with a renewed framework of museology, the concept of cultural heritage, expanding enormously, refers to a great complexity of underlying elements, stories and relationships that require and await a necessary narrative, conveyed by material and immaterial, communicative artifacts. Design is called, today more and more often, to operate within the complexity of design strategies that are able to develop new ways of enhancing, communicating and using cultural heritage and traditional productions rooted in the territories, exploring their multiple aspects also through methodologies of highly experimental design (interactive, multimedia). Each ecomuseum represents a unique reality, by territorial resources, relationships and processes. The article recounts these intertwining relationships through the description of some emblematic proj