La Mostra d’Arte Sacra delle Madonie: la pièce inaugurale tra storia del costume e valorizzazione del patrimonio

Abstract

The reconstruction of the inaugural event of the Exhibition of Sacred Art of the Madonie di Maria Accascina. From the handwritten notes found, the theatrical formula of the moment conceived by Accascina herself preparatory to the opening of the rooms, between parades of ancient costumes and narration of historical and artistic events linked to Sicily