SCIENTIFIC INVESTIGATIONS FOR THE RESTORATION OF SANTA CHIARA FROM THE SANTA CATERINA D’ALESSANDRIA MONASTERY IN PALERMO, ITALY

Abstract

The aim of this research was to assess the techniques and the materials used to realize the canvas painting Santa Chiara, from the Santa Caterina d’Alessandria Monastery and to verify the state of preservation, the possible decay processes and previous restorations. Consequently, an integrated analytical approach based on the use of non-invasive (diffused, indirect and ultraviolet light investigations) and micro-invasive techniques (optical microscopy, OM, scanning electron microscopy, SEM-EDX, Fourier- transform infrared spectroscopy FT-IR spectroscopy) were used. The oil painting on canvas dated XVI century: data suggests traditional painting technique, characterized by two priming preparatory layers (ammannitura) on a linen canvas and a traditional pigment’s palette. The painting was probably restored at the XIX century as revealed by the insertions of painted canvas in the upper areas and by the replacement of the original framework.