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DELIA FRANCESCA CHILLURA MARTINO

THE DEPOSIZIONE PAINTING FROM S. CATERINA MONASTERY IN PALERMO, ITALY: A TECHNICAL STUDY ON A ‘TRASPARENTE’ PAINTING

  • Authors: Nanfa Giulia, Costanzo Cristina, Chillura Martino Delia, Megna Bartolomeo, Sottile Sabrina, Tumminello Antonella
  • Publication year: 2022
  • Type: Contributo in atti di convegno pubblicato in volume
  • OA Link: http://hdl.handle.net/10447/593094

Abstract

The article analyzes the Deposizione painting of Giovanni Patricolo from S. Caterina monastery in Palermo, a painting realized by a particular technique of artistic representation attested in the 19th century: the ‘trasparente’ paintings, a specific kind of ephemeral apparatuses. The focus of this study is to shed light on the practical functions and the chronological path of this work of art, connecting it with the specific executive technique of the manufact. Furthermore, this research was a preliminary study aimed at designing an appropriate intervention for the restoration and conservation of the painting and a proper valorization of this artwork.