Canova divulgato tra «Können» e «Wollen» nell’opera di Alfred Gotthold Meyer
- Authors: AUF DER HEYDE, Carl Alexander
- Publication year: 2014
- Type: Capitolo o Saggio (Capitolo o saggio)
- OA Link: http://hdl.handle.net/10447/124461
Abstract
This article is a critical introduction to the Italian translation of Meyer's Canova monograph (1898), it focuses on the editorial process and on the use of photography during this early stage of popular art history. Further consideration is given to Meyer's critical point of view in the context of the German fin-de-siècle art discourse (Burckhardt, Springer, Bode, Wölfflin, Hildebrand).