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CHIARA SCIARRINO

A contrastive Analysis of the first Canto of Dante’s Inferno: an Examination of the Translations of Seamus Heaney and Ciaran Carson

Abstract

The article offers a comparative analysis of two English translations of the first Canto of Dante's Inferno: both produced by Irish authors, the two greatly differ. Specific translation strategies are examined in relation to the authors' distinctive poetic styles.