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On the Bride’s side? Fra politica della dislocazione ed etica del posizionamento


This paper aims at critically exploring the network geographies underlying the production, distribution and consumption of the Italian docu-film "On the Bride’s side". Through a successful crowdfunding campaign and hundreds of screenings throughout Europe, the docu- film has given rise to a wide diasporic public sphere. It is here that mainstream practices and alternative imaginations combine each other and unveil the complex and contested production of the cultural field