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MARIA DI GIOVANNA

L'immobilità tragica della coscienza, ultima frontiera del 'curiosissimo', ne "L'adultera generosa" di Girolamo Brusoni

Abstract

In the tale "L'adulera generosa", Brusoni, responding initially to the dictates of the poetics of the 'curiosissimo', arrives to a sounder aimed at defining axactly the contours and the causes of a psychic disturbance, with evidence also of the nexus of the individual-society; in short, new narrative strategies that bear the mark of a balance of baroque flair and instances of likeli hood.