| 2018 |
The boundaries of citation and allusion: Shakespeare in Davide ferrario's Tutta colpa di giuda (2008), Alfredo Peyretti's Moana (2009), and Connie Macatuno's Rome and Juliet (2006) |
Articolo in rivista |
Vai |
| 2018 |
Shakespeare a part: Scenes of Translation in Jean-Luc Godard's Bande a part and the Nouvelle Vague |
Articolo in rivista |
Vai |
| 2018 |
“Fear No More”: Gender Politics and the “Hell” of New Media Technologies in Michael Almereyda’s Cymbeline (2014) |
Contributo in atti di convegno pubblicato in rivista |
Vai |
| 2017 |
This England": Re-Visiting Shakespearean Landscapes and Mediascapes in John Akomfrah's the Nine Muses (2010) |
Articolo in rivista |
Vai |
| 2017 |
Chasing Shakespeare: The Impurity of the “Not Quite” in Norry Niven’s From Above and Abbas Kiarostami’s Where Is My Romeo |
Capitolo o Saggio |
Vai |
| 2016 |
Introduction: #SocialmediaShakespeares |
Articolo in rivista |
Vai |
| 2015 |
Exilic/Idyllic Shakespeare: Reiterating Pericles in Jacques Rivette’s Paris nous appartient |
Articolo in rivista |
Vai |
| 2014 |
Staging Rhetoric: Reading The White Devil’s Trial Scene |
Capitolo o Saggio |
Vai |
| 2014 |
“In States Unborn and Accents Yet Unknown”: Spectral Shakespeare in Paolo and Vittorio Taviani’s Cesare deve morire (Caesar Must Die) |
Articolo in rivista |
Vai |
| 2013 |
Spectral Shakespeares. Media Adaptations in the Twenty-First Century |
Monografia |
Vai |
| 2011 |
Shakespeare in the Extreme: Addiction, Ghosts and (Re)Mediation in Alexander Fodor’s Hamlet |
Articolo in rivista |
Vai |
| 2011 |
‘‘This is my home, too’’: Migration, spectrality and hospitality in Roberta Torre’s Sud Side Stori (2000) |
Articolo in rivista |
Vai |
| 2010 |
States of Exception: Auto-immunity and the Body Politic in Shakespeare’s Coriolanus |
Capitolo o Saggio |
Vai |
| 2005 |
Approximate Bodies. Gender and Power in Early Modern Drama and Anatomy |
Monografia |
Vai |
| 2002 |
“Speaking in Terror: Femininity, Monstrosity and ‘Race’ in Early Modern Culture” |
Capitolo o Saggio |
Vai |
