A cognitive architecture for music perception exploiting conceptual spaces

Abstract

A cognitive architecture for a musical agent is presented. The architecture extends an architecture for computer vision previously developed by the author by taking into account many relationships between vision and music perception. The focus of the agent architecture is an intermediate conceptual area between the subconceptual and linguistic areas. A conceptual space for the perception of tones and intervals is thus presented, based on the dissonance measure of the tones. Problems and future works of the proposed approach are finally discussed.